Symposiumsteilnehmer:
Franz Josef AltenburgPavel Banka
Anne Courier
Hans Fischer
Lázlo Fekete
Zsuzsa Füzesi-Heierli
Tomoko Fujisaki
Kirsten Jäschke
Torbjørn Kvasbø
Klaus LehmannChristoph Möller
Johannes Nagel
Svein Narum
Pit Nicolas
Valda Podkalne
Silvia Siemes
Kyra Spieker
Jens Trimpin
Jindra Viková
József Zakar
Friederike Zeit
Zusätzliche Teilnehmer
der Abschlussausstellung:
Elke Eder-Eich
Martin Georg
Claudia Henkel
Thomas Hirschler
Regine Hormann
Andre von Martens
Johannes Peters
Lotte Reimers
Frank Schillo
Christine Wagner
Kaja Witt
Medi Zimmermann
Schlossmanufaktur:
Friederike Zeit
green stack Durchmesser 65 h 95 cm
Torbjørn Kvasbø | * 1953 | Venabygd, Norwegen | Intonation 2009
The green and red stacks 2009 are a reflection play with the vessel form: it is a classic vessel shape, made by cylinders, in a spiral pattern form. It is also a body, a three dimensional torso with gestures and states of mind.
Technique: cylindric elements from manual extruder, shaped and modelled over a center bottom wheelthrown cone. English terracotta. The green: Leadbisilikat frit/copper glaze. The red: transparent glaze with red pigment. Thickly airbrush glazed and electric overfired 1030 C. Height 95 cm, diam. 65 cm
My work process in the clay material offers a lot of resistance, and I get to know more of the forces over which I have no control; the incalculable elements in my inner being. Emotional discharges become embodiment of feelings, and the works become actual experiences themselves.
The green and red stacks 2009 are a reflection play with the vessel form: it is a classic vessel shape, made by cylinders, in a spiral pattern form. It is also a body, a three dimensional torso with gestures and states of mind.
Technique: cylindric elements from manual extruder, shaped and modelled over a center bottom wheelthrown cone. English terracotta. The green: Leadbisilikat frit/copper glaze. The red: transparent glaze with red pigment. Thickly airbrush glazed and electric overfired 1030 C. Height 95 cm, diam. 65 cm
My work process in the clay material offers a lot of resistance, and I get to know more of the forces over which I have no control; the incalculable elements in my inner being. Emotional discharges become embodiment of feelings, and the works become actual experiences themselves.